Tinatawag na Hinilawod ang epikong-bayan ng mga Sulod na nakatira sa bulubunduking bahagi ng Panay. May dalawa itong pangunahing tauhan, sina Labaw Donggon at Humadapnon, at may mga sariling salaysay. Sa saliksik ni F. Landa Jocano, kaniyang naitala ang Labaw Donggon noong 1956 mula kay Ulang Udig, isang Sulod sa Iloilo.
Ang salaysay na Labaw Donggon ay nagsimula sa kaniyang pamilya. Isa siyá sa tatlong mala-bathalang anak nina Abyang Alunsina, isang diwata, at ni Buyung Paubari, isang mortal. Mga kapatid niya sina Humadapnon at Dumalapdap. Pagkapanganak sa kaniya ay naghanap si Labaw Donggon ng mapapangasawa.
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Una niyang nakuha si Abyang Ginbitinan, ikalawa si Anggoy Doronoon. Ikatlo at pinakamahirap ang pakikipagsapalaran niya ay si Malitong Yawa Sinagmaling na asawa ni Saragnayan, tagapag-alaga ng araw. Dahil may agimat din si Saragnayan, natalo niya si Labaw Donggon sa labanan na tumagal ng maraming taon.
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Ibinilanggo ni Saragnayan si Labaw Donggon sa kulungan ng baboy sa silong ng bahay niya. Samantala, nanganak ng dalawang lalaki ang dalawang asawa ni Labaw Donggon, sina Asu Mangga at Buyung Baranugan.
Hiananap ng magkapatid ang ama, nakaharap si Saragnayan, ngunit ngayo’y natuklasan ni Baranugan ang lihim ng kapangyarihan ni Saragnayan kayâ napatay ang asawa ni Malitong Yawa Sinagmaling.
Pinawalan ng magkapatid si Donggon at pinaliguan. Ngunit nagtago ito sa loob ng isang lambat. Sina Humadapnon at Dumalapdap naman ang humanap kay Labaw Donggon at nakita nilá ito sa loob ng lambat ngunit halos bingi at lubhang matatakutin.
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Gayunman, pinagtulungan siyáng gamutin nina Abyang Ginbitinan at Anggoy Doronoon pagkatapos mangako na pantay-pantay siláng ituturing na asawa kasama ni Malitung Yawa Sinagmaling.
Alamat Bayani Bundok Filipino folktale Grimm's Fairy Tales Gulay Halaman Hayop ibon Insekto Inspirasyon Isda jesus kabutihan kagandahan kalikasan kultura kuwentong-bayan Kwento Kwentong May Aral lugar Luzon medieval Welsh culture Mindanao pag-asa pag-ibig Pag-unlad pagkakaisa pagmamahal pagpapahalaga sa kalikasan pagpapakasakit pagtitiis pananampalataya parable Philippine folklore Pilipinas Prutas Puno Tagalog Tagumpay The Mabinogion top tradisyon Visayas Welsh mythologyHinilawod c. 1983, by Art Geroche, as displayed at the lobby of the Cultural Cter of West Visayas University, La Paz, Iloilo City, Philippines.
Hinilawod is an epic poem orally transmitted from early inhabitants of a place called Sulod in ctral Panay, Philippines. The term Hinilawod gerally translates to Tales From The Mouth of The Halawod River. The epic must have be commonly known to the Visayans of Panay before the conquest, since its main protagonists, like Labaw Donggon, were noted in the accounts of the Islanders' beliefs and recorded by early Spanish colonizers.
Hinilawod By F. Landa Jocano
One of these Westerners' accounts says that the advtures of this ancit hero of Panay were recalled during weddings and in songs.
It was noted that there were still native Mondos of Dingle, Iloilo who worshipped Labaw Donggon ev until the last years of the Spanish rule in the Philippines. These worshippers would stealthily ter a certain cave in Dingle in the eving of a certain day of the year, in order to rder homage and to offer chicks, doves, rice, bananas, and pigs to the ancit Visayan god.
Hinilawod was first discovered by accidt in 1955, wh Filipino anthropologist F. Landa Jocano became interested in native folklore. He travelled the hinterlands of his home island of Panay with two colleagues collecting folk songs, stories, and riddles. It was during one of those trips to the upland barrios of Lambunao, Maasin, Janiuay, and Calinog in Iloilo that his atttion was called to a long and popular tale called Hinilawod. Portions of the story were sung to him and his colleague by an old man called Ulang Udig.
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Returning the following year with a radio technician from Ctral Philippine University, he th recorded a portion of the story on tape in 1956. However, wh he returned, in 1957 to make a recording of the complete story, Ulang Udig could only recount the Epic of Labaw Donggon; he could no longer recount the much larger Epic of Humadapnon. Weeks later, Ulang Udig introduced Jocano to his aunt, an old babaylan named Udungan. However, the old babaylan could only chant little portions of the Humadapnon Epic. Jocano was th introduced to Udungan's niece, mountain singer named Hugan-an, who, after much cajoling, allowed herself to be taped recounting both her story and the Hinilawod. It took three weeks to complete the recording of the 30-hour epic poem.
Kaptan, king of the Gods, decreed that the beautiful Alunsina (also called Laun Sina, Unmarried One) be wed upon reaching maidhood. Though all the unmarried gods from every corner of the universe tried to win her hand in marriage, she chose to marry the mortal Datu Paubari, ruler of the Halawod.
Angered by this decision, Alunsina's spurned suitors conspired to harm the newlywed couple. Maklium-sa-t'wan, God of the Plains, called a council of the gods. The deities decided to destroy the Halawod by flood.
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Fortunately for Alunsina and her husband, her sister Suklang Malayon (Goddess and Guardian of Happy Homes) discovered the evil plot and warned them of it. Before the flood, the couple sought refuge on higher ground and escaped the gods' wrath undetected. They returned to the plains and settled near the mouth of the Halawod after the floods subsided and lived in secrecy.
After several months, Alunsina was pregnant with triplets. The couple were ecstatic, and Datu Paubari prepared the things needed for childbirth including the siklot. Wh the triplets were born, the couple named them Labaw Dongon, Humadapnon, and Dumalapdap.
Immediately after birthing her sons, Alunsina summoned the high priest Bungot-Banwa to perform rites on Mount Madya-as to sure good health for the triplets. Bungot-Banwa burned some alanghiran fronds along with a pinch of kamangyan (incse) on an altar that he had built. He oped the windows of the north side of the room after the ceremony, and in came a cold wind that transformed the infants into strong, mighty, and handsome young m.
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Wh he reached adulthood, Labaw Donggon, the eldest of the triplets, decided to go on a quest to find himself a wife. He heard of the beauty of Anggoy Ginbitinan of Handug and wanted her for a wife. He asked his mother to prepare the things he will need for the journey—a magic cape, hat, belt, and kampilan (a large, two-handed sword).
The journey to Handug took several days through plains, valleys, and mountains. Wh Labaw Donggon finally arrived, he asked for an audice with Anggoy Ginbitinan's mother and asked for her hand in marriage. The marriage was finalized wh Labaw Donggon's parts met and discussed with Anggoy Ginbitinan's parts. Using his pamlang (magical charm), Labaw Donggon effortlessly conjured a giant house with t rooftops and a hundred doors.
After their wedding, Labaw Donggon and his new bride started on their journey back to his lands. Upon reaching home, Labaw Donggon asked his mother to care for his new wife and announced his intt on another quest, this time to the Rugal sa Idalom (the netherworld) and vie for the hand of the beautiful Anggoy Doronoon.
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Labaw Donggon won the hand of the Anggoy Doronoon with little difficulty, and also took her home to his mother. Thereafter, the demigod wt on third quest to the Eastern Sky. This time the object of his desire is Malitong Yawa Sinagmaling Diwata, the young bride of Saragnayan, the Lord of Darkness.
Aboard his biday nga inagta (black boat), Labaw Donggon sailed across many seas and flew across the region of the clouds and the Land of Stones before he found himself at the shores of the Eastern Sky and the fortress of Saragnayan. Upon setting foot on the shore, Saragnayan asked who he was and what was his business. Wh Labaw Donggon expressed his desire to have Saragnayan's young wife Malitong Yawa Sinagmaling Diwata, the Lord of Darkness laughed and told him it was impossible. The young demigod th challged Saragnayan to a duel.
The duel lasted for years. Labaw Donggon held Saragnayan's head underwater for sev years but Saragnayan survived. Labaw Donggon th tied Saragnayan to the top of a rock and beat him hard with a coconut trunk, but this proved futile. Labaw Donggon th hurled Saragnayan upwards towards the sky, yet failed to kill him. The two fought for many years until finally, Labaw Donggon weaked. Saragnayan imprisoned the exhausted demigod under his pig p.
Philippine Literature: Hinilawod
Meanwhile, Labaw Donggon's two wives each gave birth to a son. Anggoy Ginbitinan called her child Aso Mangga, while Anggoy Doronoon called her son Buyung Baranugon. Both sons wt in search of their father a few days after they were born. They arrived in the Eastern Sky and asked Saragnayan to free their father. Saragnayan instead summoned a host of minions from the underworld to defeat the youths. Wielding bows, Aso Mangga and Buyung Baranugon shot poisoned arrows, that dealt sev wounds with a single shot, slaying the rest until only Saragnayan remained.
Saragnayan wrestled with Buyung Baranugon, but the Lord of Darkness was no match for him. However, Saragnayan could still not die. Buyung Baranugon sought aid from his grandmother, Alunsina, and learned that Saragnayan's life was housed in the body of a boar in a place called Paling Bukid. The sons th killed the boar